Sharp-edged verse in 21st century Afghanistan : from the silence and war the wide open page, an analysis of socio-political dimensions in women’s poetry / by Felisa Marie Hervey.

Includes some Dari texts.

“ProQuest Number ; 13420219”—title page.
“Dissertation submitted to the faculty of the Department of School of Middle Eastern and North African studies ; in partial fulfillment of the requirements for the degree of doctor of philosophy in the graduate college ; the University of Arizona, 2018”—title page.
Abstract: “This dissertation examines 21st century, post-Taliban themes and trends in Afghan women’s Persian Dari poetry, focusing on the socio-political layers of its most prominent motifs. It argues that women’s contemporary poetic expressions constitute contextually and culturally powerful means of indirect women’s activism in Afghanistan. Utilizing a multi-disciplinary approach involving literary translation and analysis complemented by ethnographic interviews and methods, this project identifies prominent contemporary Afghan women poets and major themes in their poetry, examining how their work interacts with and addresses social and political spheres. Post-2001 Afghan women’s poetry engages heavily with socio-political themes, whether directly or metaphorically, expressing and exposing issues such as gendered violence, corruption, government oppression, religious tradition, and the trauma of war and exile. Many images that do not appear immediately related to socio-political themes reveal layers of metaphorical meaning that address these topics with great subtlety. As a backdrop and foundation for this prevailing trend, the act of writing poetry itself for many Afghan women during the post-Taliban period constitutes a socio-political statement. Poets use their art as a means of formulating and asserting identity, demanding recognition, questioning or criticizing the status quo, and proposing alternative visions for societies future. This dissertation makes a timely contribution to scholarship on contemporary literature in Afghanistan, making new translations of Afghan women’s poetry available for the broader English-speaking community. It engages in new contextually informed literary analysis of poetry previously unavailable outside Afghanistan, enriched by interviews with poets and literary scholars in Afghanistan and enhanced by a creative narrative voice. One of the effects of this research is to decisively interrupt simplistic assumptions or perceptions that Afghan women…”—abstract.
“Includes bibliography”—(page 264-360).

Contents: Acknowledgements—Abstract—Transliteration system—Chapter1 : introduction—Chapter2 : methodology—Chapter3 : writing the wound : composing conflict—Chapter4 : body language and sensory motifs—Chapter5 : silence and writing about writing—Chapter6 : conclusion—Bibliography—Appendix A: themes of Afghan women poets—Appendix B: Catalog of Afghan women poets.

English