[انشاء] / (Record no. 42026)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 04398nam a22003377a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20180224094943.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 180221b xxu||||| |||| 00| 0 eng d |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | ACKU |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | dar |
| 043 ## - GEOGRAPHIC AREA CODE | |
| Geographic area code | a-af--- |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | رساله NK3639.P4 |
| Item number | الف |
| Class number | 852 |
| -- | 1701 |
| 245 00 - TITLE STATEMENT | |
| Title | [انشاء] / |
| Statement of responsibility, etc | خطاط قایم خان. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | [هندوستان] : |
| Name of publisher, distributor, etc | [ناشر مشخص نیست]، |
| Date of publication, distribution, etc | [1701-1702]. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 2 صفحه ؛ |
| Dimensions | 30 سانتی متر. |
| 500 ## - GENERAL NOTE | |
| General note | عنوان به انگلیسی : Insha' |
| General note | “This calligraphic fragment belongs to a series of 22 inshaʼ (literary compositions or letters) written by calligraphers named Mir Kalan, Khan Zaman (son of Khan Khanan), Qaʼim Khan, Lutfallah Khan, and Mahabat Khan. Judging from the script (Indian nastaʻliq), a seal impression bearing the date 1113 AH (1701−2), and a letter mentioning the city of Janpur in India, it appears that these writings were executed in India during the 18th century. Furthermore, if one were to identify the calligrapher Mir Kalan as the renowned painter active during the mid-18th century in Lucknow, then this identification would add further support to identifying this calligraphic series in the Library of Congress’ collection as a corpus of materials produced by several writers active in 18th-century India. The calligraphies are typically written in a hasty nastaʻliq on white paper, framed in blue, and pasted to a pink or salmon cardboard. They stand out for being in rather poor condition, in many cases badly damaged by worm holes and/or water stains. Some bear squiggle-like marks in the margins, while others include seal impressions that were cut out and pasted onto the cardboards. In most cases, an attribution to a calligrapher is written at the top, preceded by the expression raqamahu (written by) or khatt-i (the handwriting of). The recto of this particular composition is attributed to Qaʼim Khan, as noted by the inscription on the top "fa'la Qaʼim Khan pa[sar]..." (made by Qaʼim Khan, son of...). A small squiggle design appears in the lower-left corner. The composition itself appears on a white-and-blue marble paper decorated with salmon flowers. It begins with praise of God, huwa al-ʻaziz (He is the Glorified), followed by two bayts (verses) of poetry on firaq (the pain of separation) composed by the great Persian poet Hafiz (died circa 1390). The writer then states that he received his friend’s letter, which was like a flower for him. Although this inshaʼ (letter) is filled with ornate and elaborate expressions, the writer admits at the end that it was “hararahu bi al-ʻajalah” (written in haste). The verso, like this fragment’s recto, is attributed to Qaʼim Khan, and has the same inscription on the top. The composition itself appears on a white paper decorated with blue sprinkles, and consists of an inshaʼ addressed to a certain Navab Sahib (a title further supporting the Indian origin of these letters). The writer states that he is pleased to have received Navab Sahib’s letter, which was like a gul-i khush bu (sweet-smelling flower), and is eager to see him. He thanks Navab Sahib for having done very thoughtful things for him and ends his letter by promising that he will not forget his kindness.”—library of congress |
| General note | The Library of Congress donated copies of the digitized material (along with extensive bibliographic records) containing more than 163,000 pages of documents to ACKU, the collections that include thousands of historical, cultural, and scholarly materials dating from the early 1300s to the 1990s includes books, manuscripts, maps, photographs, newspapers and periodicals related to Afghanistan in Pushto, Dari, as well as in English, French, German, Russian and other European languages ACKU has a PDF copy of the item. |
| General note | عنوان توسط فهرستنویس تهیه گردیده. |
| 546 ## - LANGUAGE NOTE | |
| Language note | Dari |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Calligraphy, Persian. |
| Topical term or geographic name as entry element | Correspondence. |
| Topical term or geographic name as entry element | Illuminations. |
| Topical term or geographic name as entry element | Letters. |
| Topical term or geographic name as entry element | Persian manuscripts. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | خطاطی، فارسی. |
| Topical term or geographic name as entry element | حروف. |
| Topical term or geographic name as entry element | نسخه های خطی فارسی. |
| 856 ## - ELECTRONIC LOCATION AND ACCESS | |
| Electronic format type | |
| Uniform Resource Identifier | <a href="http://dx.doi.org/10.2458/azu_acku_risalah_nk3639_p4_alif852_1701">http://dx.doi.org/10.2458/azu_acku_risalah_nk3639_p4_alif852_1701</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Library of Congress Classification |
| Koha item type | |
| Call number prefix | azu_acku_risalah_nk3639_p4_alif852_1701 |
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